Organic forms carved by intuition and time.

My process begins with silence, with meditation. I approach the clay not with a fixed idea, but with a willingness to listen—to its weight, its moisture, its resistance. I work mostly with the handbuilding technique, often shaping each piece by hand using methods like coiling and carving. These techniques allow me to stay close to the rawness of the material and embrace spontaneity. Textures are born from intuition. Sometimes I sculpt with precision, other times I carve or press with abandon, letting the surface capture movement, tension, and memory. The process is slow, grounding, and deeply tactile. I welcome the unexpected. The cracks and roughness give the work its truth, its character. I often leave my forms unglazed or use minimal finishes, honoring the natural voice of the clay. Firing becomes the final transformation—where earth, fire, and intention meet. Each piece holds its own quiet story, shaped by the rhythm of my hands and the unpredictable life of the material.